April 14, 2008 / 12:19
You had me before this line "If you’re looking for a film that doesn’t feature blood, guts, gangs, guns, huge tits or the tedious Will Farrell, this a goody."
I can live without blood, guts, gangs, guns and tedious Will Farrell
But no HUGE TITS? No can't do it.
April 14, 2008 / 13:43
Hey Freddie,
I'm a big Steve Carrell fan, but I couldn't stomach this one. I was recently on a plane flying home from Australia, and after watching several exceptionally good movies, I selected Dan in Real Life.
This movie was so nauseating, I actually had to turn it off after about 15 minutes ..... in fact it was about then that I was wishing there was a good Will Farrell movie on the entertainment system to fire up.
Sorry Fred - I'm usually with you on most things, but not this time.....
Cheers,
Kevin
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September 16, 2010 / 19:18
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October 27, 2010 / 16:20
Inception is one of those films that "engaged" film-goers will mistake for genius. Let me explain my theory on people and movies. You will find three different types of movie-watchers: passive, engaged, and intelligently engaged. Passive people will watch Die Another Day and like it just as much as the Bourne Identity. They don't go to the movies to think, they go to be kept amused by cool effects and witty one-liners. Engaged people think they do know what they're talking about, and usually adore movies which are edgy in plot and execution but conventional enough to understand, like Fight Club and the subject of this review. They feel themselves to be refined in cinema, but ,in reality, just don't quite have the intellect, cinematically speaking, to pull it off. Intelligently engaged people will appreciate the complexity of Inception, but also recognize it really is a little sloppy, self-serious, over drawn, and empty. They recognize its audacity, but don't pretend like it is Kubrick or Paul Thomas Anderson. The reality is, most people who belong to the engaged category will try and pretend that Inception is a 'masterpiece' and that they know everything about movies. They do not. Inception is smart, but it doesn't rank anything above respectable.The idea is ingenious, and Inception is capable of live off its sheer mind-bendiness for the first 45 minutes. Leo is a specialist at entering people's minds and extracting, or in this case, planting information. The dreamworld is very exciting and unpredictable, that the audience couldn't care less about the actual story line. However,when the magic wears off and the extravagantly overlong climax starts (almost at the midway point), as Chinua Achebe says, things break apart. The very first issue is the eventual goal of the whole operation is really anti- climactic. So far as I could tell, they're trying to break up some unknown monopolistic multi-national company for a rich CEO, who subsequently will give them large sums of money and Leo a way back to his kids. Sound under-developed? It is. Nolan by no means really fleshes it out. He is too busy creating spectacularly slick effects to get caught up in silly things like crucial plot points.
October 27, 2010 / 16:56
Inception is those films that "engaged" film-goers will error for genius. Let me explain my theory on people and movies. You'll find three sorts of movie-watchers: passive, engaged, and intelligently engaged. Passive people will enjoy Die Another Day and like it just as much as the Bourne Identity. They do not go to the movies to think, they go to be amused by cool effects and witty one-liners. Engaged people think they know what they're talking about, and generally love films that will be edgy in plot and execution but conventional enough to understand, like Fight Club and the subject of this review. They feel themselves to be refined in cinema, but ,in reality, just don't quite have the intellect, cinematically speaking, to pull it off. Intelligently engaged people will appreciate the complexity of Inception, but also recognize it is a little sloppy, self-serious, over drawn, and empty. They recognize its audacity, but don't pretend like it is Kubrick or Paul Thomas Anderson. The reality is, most people who fall under the engaged category will try and pretend that Inception is a 'masterpiece' and that they know everything about movies. They just don't. Inception is smart, but it doesn't rank anything above really good.The idea is ingenious, and Inception is capable of live off its sheer mind-bendiness for the first 45 minutes. Leo is a specialist at entering people's minds and extracting, or in this case, planting information. The dreamworld can be so exciting and unpredictable, that the audience couldn't care less regarding the actual story line. Regrettably,when the magic wears off and the extravagantly overlong climax starts (almost at the midway point), as Chinua Achebe says, things break apart. The very first issue is the eventual goal of the whole operation is seriously anti- climactic. So far as I could tell, they're trying to break up some unknown monopolistic multi-national business for a rich CEO, who subsequently will give them large sums of money and Leo a way back to his kids. Sound under-developed? It is. Nolan by no means really fleshes it out. He is too busy creating spectacularly slick effects to get caught up in silly things like crucial plot points.
October 27, 2010 / 17:25
Inception is one of those movies that "engaged" film-goers will mistake for genius. Let me explain my theory on people and movies. You will find three types of movie-watchers: passive, engaged, and intelligently engaged. Passive people will watch Die Another Day and like it equally as much as the Bourne Identity. They don't really go to the movies to think, they go to be kept entertained by cool effects and witty one-liners. Engaged people think they do know what they're talking about, and usually enjoy films which are edgy in plot and execution but conventional enough to understand, like Fight Club and the subject of this review. They presume themselves to be refined in cinema, but ,in reality, just don't quite have the intellect, cinematically speaking, to pull it off. Intelligently engaged people will appreciate the complexity of Inception, but also recognize it truly is a little sloppy, self-serious, over drawn, and empty. They recognize its audacity, but don't pretend like it is Kubrick or Paul Thomas Anderson. The reality is, most people who fit in the engaged category will try and pretend that Inception is a 'masterpiece' and that they know everything about movies. They do not. Inception is clever, but it doesn't rank anything above really good.The premise is ingenious, and Inception is able to live off its sheer mind-bendiness for the first 45 minutes. Leo is a specialist at entering people's minds and extracting, or in this case, planting information. The dreamworld can be so exciting and unpredictable, that the audience couldn't care less regarding the actual story line. Sad to say,when the magic wears off and the extravagantly overlong climax starts (almost at the midway point), as Chinua Achebe says, things break apart. The very first issue is the eventual goal of the whole operation is really anti- climactic. So far as I could tell, they're trying to break up some unknown monopolistic multi-national company for a rich CEO, who in turn will give them large sums of money and Leo a way back to his kids. Sound under-developed? It is. Nolan never really fleshes it out. He is too busy creating spectacularly slick effects to get caught up in silly things like crucial plot points.
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November 3, 2010 / 12:59
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November 8, 2010 / 03:33
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November 16, 2010 / 16:37
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November 30, 2010 / 12:54
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